James Bond (this time played by George Lazenby) hands in his licence to kill after being banned from hunting down his arch-nemesis Blofeld (Telly Savalas). Continuing his investigations alone, he follows a lead to Portugal, meets and falls in love with Tracey Draco (Diana Rigg), and is told by her crimelord father that Blofeld is now in Switzerland. Pretty soon its snow, kilts, girls, secret bases and ski chases, as Bond chases down his enemy and attempts to foil a plan to unleash a deadly chemical weapon.

How a generation of women artists is transforming photography with analogue techniques. Beginning in the 1990s, a series of major artists imagined the expansion of photography, intensifying its ideas and effects while abandoning many of its former medium constraints. Simultaneous with this development in contemporary art, however, photography was moving toward total digitalization. Lateness and Longing presents the first account of a generation of artists-focused on the work of Zoe Leonard, Tacita Dean, Sharon Lockhart, and Moyra Davey-who have collectively transformed the practice of photography, using analogue technologies in a dissident way and radicalizing signifiers of older models of feminist art. All these artists have resisted the transition to the digital in their work. Instead-in what amounts to a series of feminist polemics-they return to earlier, incomplete, or unrealized moments in photography's history, gravitating toward the analogue basis of photographic mediums. Their work announces that photography has become-not obsolete-but "late," opened up by the potentially critical forces of anachronism. Through a strategy of return-of refusing to let go-the work of these artists proposes an afterlife and survival of the photographic in contemporary art, a formal lateness wherein photography finds its way forward through resistance to the contemporary itself.

All three Christmas specials of the BBC sitcom starring Michael Crawford as the accident-prone Frank Spencer. Episodes are: 'Jessica's First Christmas', 'Learning to Drive' and 'Learning to Fly'.

Taking My Time tells both the tall tale of George Baker's life as a jockey, and the story of a second life emerging from the aftermath of his horror fall on the White Turf at St Moritz in 2017. As a rider, George scaled the highest of highs in the saddle with St Leger victory aboard Harbour Law cementing his place among the sport's elite, despite having the body of a man surely destined for another occupation. Tortuous battles with the scales were ultimately won, popularity among peers and punters was assured and life was good and getting better. Until the terrible accident which left him with serious head injuries forced him to restart; he had to live again. He was the same person but different. New obstacles had to be cleared and trauma both physical and mental needed to be met and overcome. The story is told with the wit and wisdom that has come to characterise George Baker, and his wife Nicola recounts, with humour and humility, the toll taken on the those closest to him and the perilous nature of life at his side.

James Bond (Roger Moore), in his tenth screen outing, joins forces with a glamorous Russian spy (Barbara Bach) to outwit a megalomaniac shipping magnate (Curt Jurgens) who intends to achieve world domination by causing nuclear war between the superpowers. The film features the submersible Lotus Esprit, underwater battles, and 'Jaws', a seven-foot villain with steel teeth.

The American artist Paul Chan has gained international acclaim for his video work, drawings and installations that blend a novel drafting aesthetic with philosophical reflections on politics, religion, sex and life. This beautifully produced monograph, published on the occasion of Chan's highly anticipated one-person exhibition at New York's recently unveiled New Museum of Contemporary Art, presents the first significant overview of Chan's work. Spanning from the late 1990s through today, it is named for Chan's most recent project, "The 7 Lights" (2005-07), a series of large-scale digital projections and drawings that "hallucinate" the Seven Days of Creation.
Paul Chan was born in Hong Kong in 1973 and raised in Nebraska. Currently based in New York, he is represented by Greene Naftali Gallery and has had solo museum exhibitions at The Fabric Workshop and Museum, Philadelphia; the Blanton Museum of Art, Austin; the Institute of Contemporary Art, Boston; and the UCLA Hammer Museum, Los Angeles.